Originally Published in the Summer 2004 ...
Introduction .
To
write about the Populist movement of the
late 19th century requires an understanding of a
complex, popularly unknown watershed in American
sociopolitical history. The irony, even reward in
gaining this understanding is to discover that the
demands of the Populists – and the Farmers Alliance, the parent organization
that spawned the movement – were simple ones.
They can be collectively summarized in a desire
as revered today as it was in the 1880s / ‘90s: the achievement of individual freedom through
democratic participation. In theory this sounds
like little to ask of a democratic republic. Yet
over a century ago the exercising of this “right”
by a mass movement of the agrarian working class
touched off a war for control of America’s
economic and political future.
Populism spread far beyond the borders of the American South,
eventually finding fervent support in the Plains states
and the Far West territories. But it was in the Deep
South and Texas where the
Populists’ radical ideological challenge of the entrenched powers
spilled out onto the streets in a bloody brawl. Nowhere
did it rise higher or fall harder. It was the agrarians’
charge that the monopolistic interests of banking,
railroading, mercantile, and a litany of other industrial
/ commercial trusts, held the “producing class”
farmers in a debtor’s slavery. And the fight
to reform that sociopolitical landscape – and
equally the fight to maintain the status quo –
flooded the South in an epidemic of violent unrest.
Economic manipulation, transparent election fraud,
a scathing homespun press unlike anything in the modern
era, corrupt opportunism, political (and actual) lynchings,
threats, bribes, and murder – all of this ran
rampant over what become a cultural power struggle,
as much as it was a political and economic one. The
overt racism that has come down as stereotypical of
some
Populists was real, but can be confined
to its waning days in the early 1900s long after the
derailment of its political party in the 1896 elections
and the possibility of the movement affecting any
real revolutionary change. And so, understanding the
movement for what it truly was allows one trait to
undercut all others that have become associated with
the “uprising”:
the inescapable poverty
of small farmers.
Lawrence Goodwyn, in his signal work
The Populist
Moment, makes the convincing case that
Populism was the most successful and sadly the last mass movement
in America to affect real sociopolitical change
outside of the established order. Given the impact of its
legacy – C. Vann Woodward recorded the thoughts
of many in stating “the
New Deal was
neo-Populism” – this is hard
to deny. From the
Socialist /
Communist industrial-labor parties to Theodore Roosevelt’s
Progressives, the 1930s’ Minnesotan
Farmer-Labor union to Ross Perot’s
Reformers, third-party movements of the 20th
century consisted of shadow movements lurking on the
fringe. In the end their effect on electoral outcomes
and as a result legislative outcomes – the true
measure of influence – accomplished little outside
of siphoning votes away from the two dominant parties.
Further it is ironic that the most “worthy”
third-party planks were often rapidly co-opted into
“mainstream” political dialogue. Goodwyn
would attribute this pattern of marginalization in
part or in whole to the defeat of
Populism’s short-lived,
The People’s Party. For
in the aftermath of its defeat, “what”
of the established order would be open to revision
was defined with clear constraints. The meteoric rise
and subsequent plummet of the movement drove its opponents
to delineate the boundaries for all future political
discourse in America. And this would seem overtly
cynical, if it weren’t so obvious a political
reality today – over a century later.
The complexities of this turbulent era of agrarian
revolt are formidable. Yet at its core were poor farmers
simply wanting a fair deal.
The Rise & Fall of Populism in the South: Table of Contents
Introduction
Part I: "Not a Revolt, A Revolution"
Part II: "Fighting It Straight"
Part III: "Sold Out"
Sources / Afterword and Credits
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